Building the Future of Health

https://landscapemachines.files.wordpress.com/2016/03/1453042356-los20angeles20river.jpeg?w=1019&h=675June 2  Time:10:00-11:00

Theme:#healthy cities

Source: Building the Future of Health

Serious Landscaping, Healthy landscapes, transforming experiences

 

During the nineteenth century it was debated whether ‘land’ could be described in terms of beauty or sublime, as these were words related to the experience of nature. It was then generally agreed that landscapes needed ‘that kind of beauty which is agreeable in a picture’ (Gilpin, 1802). Recently, however, the agenda for an understanding of landscapes has toppled towards more immediately embodied nature and landscape experiences instead through the arts (Carlson, 2014). One of the explanations why the aesthetic character of ‘the sublime’ has become relevant again, is that there is need for a revolt against industrialization and ruthless urbanization combined with an increasing acceptance of ecological ideals (Brady 2013). If this is the case, the notion of the sublime can be explained as a critique of the current inadequacy of imagination on how to build cities and manage natural resources.

In this session we will first elaborate on this notion and then discuss two examples, made by young landscape architects. A new generation of landscape architects is concerned with large-scale landscape transformations that both heal the physical aspects of these landscapes, as well as their experiential character. We thereby interpret the future of health as both a physical as well as an experiential phenomenon. The combined ecological and experiential character will be explained by use of a framework for six archetypical landscapes that each poses a different challenge for healing. In general, we acknowledge healing as a transformation process of both body and mind.

 

http://www.buildingthefutureofhealth.eu/en/programme/28/serious-landscaping-in-between-disaster-management-and-trenscendental-nature-experiences

 

Eastern Scheldt: from nature – to human reserve

Neeltje Jans

Deltas are of great importance to humans all over the world. Densely populated coastal areas where land arises from sea. An amazing gradient where two worlds meet and nature and humans traditionally proliferate. It is the area where one hears, smells and sees the awakening of nature between the ebb – and flood line. It is where the sailor exalts navigation to a form of art and where he falls dry with his boat to be alone and to enjoy the mind-expanding vastness. Yet these qualities increasingly disappear due to the great technical advances since the 19th century, which tried to control the marine dynamics of deltas to ensure safety of the hinterland against inundation.

The Delta Works in the Netherlands embody this. The masterpiece of the Delta Works meant the construction of a national icon: the Eastern Scheldt Storm Surge Barrier in Zeeland, which does not only withstand storm surges, but even controls the tides of the sea daily in its Eastern Scheldt. However, this permeable dam has resulted in the erosion of the intertidal area (1) and subsequently in an insatiable demand of sand, which increases annually due to sea-level rise. The intertidal area will have disappeared in about 2080 as a consequence of this sand hunger (2), with major social – and ecological problems as a result.

Besides sand hunger, Zeeland also suffers from space hunger. The rise of mass recreation in the past century has led to the cluttering of holiday parks in the hinterland of the delta, which destroy the lowlands and the sea in their vastness. Therefore, a holistic solution for the Zeeland delta does not only secure the intertidal area, but also encompasses the finding of a suitable place for recreation in its delta.

This is achieved by means of the deconstruction of the Eastern Scheldt storm surge barrier and Grevelingendam, and using the resulting new marine dynamics (3) to promote the social – and ecological situation of the Eastern Scheldt. The new coastal defense systems (4-6) protect the hinterland from inundation, grows along with sea-level rise, and is in itself a new landscape entity of Zeeland in which the function of recreation becomes integrated into the landscape (7-11). This way Zeeland is strengthened integrally between sea and land and the Eastern Scheldt (12) is transformed from a nature – to a human reserve, where all interactions live together as an obviousness.

2

2.2


Figure 1: The Eastern Scheldt Storm Surge Barrier caused a decrease of tidal volume and thereby shifted the marine dynamics from a sand exporting – to a sand importing system. 

Oosterschelde 2050-2100 Verminderd getij SITE2.jpg

Grafiek-01

 

 

 

 

 

Figure 2: As a consequence of the shift in marine dynamics the intertidal area will mostly have dissappeared in 2080.

ZW Delta Concept High-Low-01-01

ZW Delta Concept Low-High-01-01

 

 

 

 

 

 

Figure 3: The Eastern Scheldt Storm Surge Barrier is deconstructed along with the Grevelingendam. The new marine dynamics are used to stimulate the social – and ecological situation of the Eastern Scheldt.

ncds.jpg

Figure 4,5,6: The new multifunctional coastal defense systems do not only answer the social – and ecological situation of the region, but also their cultural history aesthetically. 

waterstad

Figure 7: Watervillages become part of the new coastal defense systems, unveiling the qualities of the delta to its visitors

Neeltje 1op15000 Masterplan

Figure 8: Neeltje Jans, the terrain section of the barrier, as the symbol of the old – and the new relation between man and water.

18 V2

 

OLYMPUS DIGITAL CAMERA
Figure 9, 10: Former parts of the barrier become breakwaters and borders to protect the new heritage and the most vulnerable shores at the mouth of the Eastern Scheldt.

Surf village

Figure 11: Surf village Neeltje Jans

Masterplan Oosterschelde v6 EINDONTWERP2.jpg

Figure 12 Human reserve Eastern Scheldt in which all interactions (co-)exist as an obviousness.

 

Full access at:

Eastern Scheldt: From nature – to human reserve (2015)

For consultation or more info please contact the author

Koen Steegers (koensteegers@gmail.com)

Opening Academic Year WUR: The inclusion of Landscape Architecture | TOPOS

_OVERIGE_ door Rosanne Schrijver en Cor Simon A reflection of the opening of the academic year of the Wageningen University. It is striking how the controversial discipline of landscape architecture within the Wageningen University now seems to play an essential…

Source: Opening Academic Year WUR: The inclusion of Landscape Architecture | TOPOS

the whole opening ceremony can be watched here (there are green marks, for each new session in the whole video – the landscape machine part is at the fourth green marker).

http://wurtv.wur.nl/p2gplayer/Player.aspx?id=ez74Zi

 

Paul.

First price Archiprix competition won by a landscape machine!

The project ‘Ems, Full Hybrid’ by my former students Remco van der Togt and Jonas Papenborg (co-supervised by Harro de Jong)

won the prestigious Archiprix first price 2014.

For the project description see here

and for the jury report see below:

Each year the Dutch institutions offering Master’s programmes in architecture, urban design and landscape architecture select their best graduation projects and submit them to Archiprix.

Of the 27 submitted projects 21 are by students graduating in architecture. Two entries have urban design as the major subject and six have landscape architecture. Thirteen of the graduation projects are located abroad.

Armed with an ingenious strategy, this graduation project presents more than just an all-in solution to the serious and complex economic and ecological problems afflicting the Ems estuary. It adds a convincing long-term perspective for developing this area on the border between the Netherlands and Germany. The approach is professional in the extreme and scientifically underpinned where possible and clearly documented. The designers correctly acknowledge that this is a so-called wicked problem. There is a margin of uncertainty to be considered, since the effects of the proposed interventions are not entirely predictable. This explains the manoeuvrability of the strategy to be followed. The project makes a credible impression, illustrating that designing can combine well with scientific research. The design has appealing spatial qualities and is presented in a way that is transparent to all involved. The compelling tale is clearly told and beautifully portrayed. The project unfolds a series of related proposals that are technically well underpinned. The proposed measures are targeted at benefitting the processes in the area. These are not just natural processes such as the flow of the river and the effects of the tide, but also the displacement of water by the cruise ships passing by. The long disused polder system to either side of the river is exploited in a new way, in which discarded North Sea oil rigs get a new duty to perform. Besides generating an attractive landscape in which nature and production join forces, the project provides economic opportunities while putting an end to the expensive business of constant dredging. The designers make a convincing proposal, one that gives shape to their intention of taking the vitality of the Ems region to a higher level. It is a project that provides valuable insight to a wide audience, from scientists to inhabitants, from harbour barons to nature lovers. A project that impresses and delights.

Why a landscape machine?

Designers should design landscapes that challenge human beings and human collectives to allow them to redefine nature within and beyond themselves.

We are well aware that the two words ‘landscape’ and ‘machine’ are dissonant in many ways; something technocratic versus something pristine? The dissonance is on the other hand exactly right, if you consider an important pragmatism in the field of large scale landscape interventions: (1) landscapes are mostly created by (generic) professionals, only dimly including local people. (2) Landscapes, for a large part, serve a purpose, in most cases as agricultural production area, as natural reserve or as urban/infrastructure territory. These two pragmatic elements make it more feasible to consider the machine part of the landscape. Being an optimised production facility for desired outcomes. Any dissonance with local people and out of radar ecological developments, is what interests us, as part of the landscape machine concept.

The (welcome) dissonant to any fixed machinery thinking is provided by the rather slow and gradual development of landscapes. People can change, as landscapes change and thereby initial negative experiences can change. This is what is magical and unique in landscape development and this is what needs to be taken into account when considering the machine-aspect in a developing landscape. The machine may be static for a while, but will change and so will the opinions, aesthetic references and social inclusions. This is a fact that has been recognised by many designers for years, but has not yet been included and explored academically.

Landscapes need not be designed at all if they are to reflect the potential of wildernesses. Despite the autonomy of natural landscapes, we consider human imagination central and essential in the development of new types of productivity. We are worried about the increasing absence of landscapes as future places other than for parkish delight or arcadian wildernesses. Biodiversity can be increased by allowing landscapes to be productive, according to their ecological potentials. Yet, as the attention for urban centres and urban farming increases, the notion of the vast amounts of landscapes are left barren and desolate. In an average country, over 70% percent is landscape and only 8% is urbanised, this means that a future vision on the productivity of such large stretches of land is needed, to maintain a growing urban population. Urban life produces waste and dirt that can be cleaned and processed by landscape machines, if they are big enough, flexible enough and self-sustaining enough. This is the aim of every designed landscape machine. Landscapes are thus not only places to comfort and satisfy human needs, they are places that are proof of human inventiveness, natural self regulation and intricate technical competences. Additionally, designed landscapes are contemporary sublime environments to enhance dormant potentials of the abundance of energy that is present on an everyday basis.

Landscape Machines are technically complex designs that serve to clean and produce all that humans use and need for themselves and simultaneously adhere to the abundance principle of living systems. The composition of landscape machines is dynamic because of the continuous interchange of expansion and diminishment of living system components. A landscape machine is deliberately kept on the verge of imbalance because of the continuous yield of food, energy and resources that put stress on natural resilience. The design effort to create the appropriate type of imbalance is the main challenge when designing a landscape machine.

Lightning Farm

link to: BLDGBLOG: Lightning Farm.

There are times at which a project strikes me with both an incredible awe and a diminishing type of jealousy for the work being performed. This is such a project. A Landscape Machine of the type of dream that you can have, but do not remember the following day, leaving you with the intense feeling that something very nice has occurred without precisely knowing what was the source and reason.

Please look at the beautiful drawings by Farah Aliza Badarudding and at the test results using real lightning. (see link at the top)